Patte Loper

Patte Loper

  • Exhibitions and Projects
    • Salt Marsh Deep Time Study Center (Institute of Contemporary Art at MECAD) 2023
    • Laboratory for Other Worlds (Bellevue Arts Museum) 2022
    • Laboratory for Other Worlds (Mattress Factory) 2019
    • Quiet Country (Platform Gallery) 2021
    • Brooklyn Queens Expressway Reimagination Plan: Native Plant Viewing Station (Children's Museum of Manhattan) 2019
    • Visit to a Small Planet (Clay Center for the Arts and Sciences) 2017
    • Sparkly Darkly (Black and White Gallery and Project Space) 2017
    • Seeking Higher Ground (Suyama Space) 2016
    • Power Exchange Unit (Drawing Center) 2015
    • After Lebbeus, A Model for Drawing (Drawing Center) 2014
    • Collaborations
      • Bright Ecologies
      • Pupazetti
      • Empathy and Craft in the 21st Century (National Gallery of Jordan)
      • Temporary Structures and Home Communities
      • Structure in a Fertile Landscape
    • Your Rivers, Your Margins, Your Diminutive Villages (Ithaca College) 2014
    • Paint Collection Platform (Millay Colony) 2013
    • Untitled Worktable: A Plea for better Leaders in the Form of Automatic Sculpture (Platform Gallery) 2013
    • Archipelago (LMCC) 2012
  • Painting
    • Painting 2019-2024
    • Painting 2014-2018
    • Painting 2009-2013
    • Painting 2003-2008
  • Time Based Work
    • Lectures and Interviews
    • Videos
    • Performance
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Erin Genia, Earthling

Genia performing Earthling. Earthling is the Earth, a body, and a witness. As Earthling, Genia performs with pipestone, a sacred Dakota material that refers to the Dakota origin story in which the original peoples were killed in a flood, and pipestone is the remains of their bodies. Pipestone is considered sacred by the Dakota, and none of it can be wasted. During Genia's performance, she will utilize leftover pipestone fragments as chalk to draw on the gallery walls and floor.